Karsh & Heisler - A Review

I bought two books on portrait photographers recently and because of the similarity I decided to review them together. Although the Karsh book is sub-titled "A Biography in Images" that could describe both books although the Heisler book would more aptly be called a retrospective. The format is similar in both, a series of photos with text about the image, the person photographed and the making of the photograph although not technical information (Camera used, f/stops,film, etc.). There is some casual mention about lighting or other aspects of the shoot for the photos but if you are looking for a "how I shot this" book you will be disappointed. I wasn't looking for that and wasn't disappointed in either book.

I bought the print versions. The Gregory Heisler book is also available for Kindle but in my humble opinion the photos need a large print book for their full impact. Both are printed well on high quality paper and nicely bound coffee table sized volumes.

I read one criticism on a forum that the Greg Heisler portraits were too editorial and not a personal expression or "art", an unfair criticism I think given that Gerg Heisler's portraits were in fact editorial assignments. He brings to them a degree of art but working within the constraints of a client always brings some level of expectation from the client as well as the constraints of the sitter. The story of the cover image (Muhammed Ali's masseur) in particular demonstrates Greg's ability to deal with such constraints and still get a powerful and revealing portrait.

Yousuf Karsh was a commercial photographer as well and many of the portraits in his book were also made for magazines although I personally see more of Karsh in his portraits than I see of Heisler in the Heisler book. It's a matter of degree and is subtle, varying from image to image but overall Karsh seemed to transcend the 'assignment' to a greater degree than Heisler. The Karsh book also includes a brief biography and some non-portrait photos at the beginning which helped give context to the portraits that followed. I came away from the Karsh book feeling like I had met the photographer rather than simply going to an exhibit of his work.

If you are interested in portraits of (mostly) famous people and learning a bit about what it was like to encounter each of their personalities as a photographer I highly recommend both books. I don't have links to Amazon and don't get any 'affiliate' fees from them if you buy either book. In fact, although I got them through Amazon, if you are fortunate enough to have a local bookseller who stocks them I encourage you to buy them there. As much as I like Amazon they have killed off many local bookstores to the point that there aren't any near me who carry this sort of book.

First Snow

We had our first real snow of the winter last night and today. There have been a couple of half-hearted attempts previously, one resulting in a dusting that didn't last but this is the first that required clearing the driveway. The forecast was for 8" to a foot but we ended up with only 4" by late afternoon and that was more slush than snow since the precipitation was a mix of snow and rain.

Of course I'm a sucker for snow on trees and two of our apple trees still retain part of the bumper crop of apples from this summer. The combination makes for great subject matter, a contrast of seasons, the color of apples against the monochrome of winter. I was after the overall impression so I added a digital filter to emphasize the pattern and color while reducing unnecessary detail.

I'll be reviewing a couple of books on portrait photographers soon. I have to finish reading the second book so it will be at least a day or so. Stay tuned.

Update 11/28/2013 Thanksgiving Day bonus photo.

Canon 7D, Photoshop and Topaz filters.

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Working in Layers

I've been spending my evening working on some photos that I shot earlier this fall. I have a treatment of layering 2 or more filter effects and altering the blending mode and transparency to emphasize the qualities that attracted me to the subject. I won't go into detail because there are a lot of variables in what I do depending on the image but if you haven't tried working in layers with different filters on each layers I suggest you experiment with it.

If you are a "get it right in the camera purist" please don't comment how I could avoided processing in Photoshop by doing "X". After 56 years of photographic practice I'm well aware of how to do all sorts of things in camera but I happen to enjoy using Photoshop. If you don't that's fine. To each his/her own.

These two images are processed more heavily so that they don't look strictly "photographic". I doubt the full effect will be visible on the small JPGs I am posting here but if you click on the image you'll get a larger version that will give you a better idea of the effect.

The top image was shot on a walk near my home. The second on is at Mountain Pond in the Adirondack Park, one of my favorite places to visit in the Adirondacks.

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A Mini Exploration

I went to Catamount Lodge today to a workshop and arrived early. I had never been there before. There is a very nice small stream flowing through the woods between the highway and the lodge. Because I was early I decided to poke around for a few minutes looking for photo possibilities. I found some in the stream including the photo above. I have made a number of images in this vein of the years, images that look below the surface of water but including surface detail and reflections of the sky above.

Photographed with a Canon 7D and an 18-135mm EFs lens. Please respect my copyright and do not re-post elsewhere. To share refer to the URL of this page.

No Excuse Part II

I heard that autumn color was at peak in Keene Valley so I headed down that way. On the way I stopped between Upper and Lower Cascade lakes where I found these lovely birches and young Mountain Ash. A bit further on I found a bright red vine over light grey rocks. I'm a sucker for anything that is red.

From there I went on to climb Owl's Head Peak and was rewarded with some good color if somewhat dull light.

Finally I came home via Wilmington Notch where I met this fine pine on the banks of the Ausable River.

As always, please respect my copyright. Share these images by giving the link to this page. Do not copy or re-post. Thank you for your honesty.

No Excuses

It's been weeks since I posted anything and I have no excuse. I'm not even sure why except that I've been preoccupied with chores. This will be a 2-in-1 day set of posts to catch up.

The first set of photos are from my final lean-to hike of the year. My friend Rick Reed went along and unlike the first trip this year we had a dry day. On the way to the trailhead we were greeted by a beautiful sunrise along the Loj Rd. There wasn't as much to clean up as last trip and I left a box of crayons with the register just for fun.

Heart Lake was smooth as glass when we hiked by on our way to the lean-to.

On the way out we climbed Mt. Jo which overlooks Heart Lake. Although he has climbed all 46 High Peaks Rick had never climbed Mt. Jo before.

The Heart of Photography is Openness - A Book Review

I just bought a photo book that I love. It is "Small Island, Big Pictures" by Alexandra de Steiguer. Alex has spent sixteen winters as caretaker on a group of islands off the New England coast, alone. She thinks, explores, writes and photographs with a medium format camera. Her photographs are nothing short of wonderful. The written part is spare, like the winter islands she photographs, an appropriate compliment to the images without distracting from the visual experience. And that's what this book is, a visual experience of a place at a time that (mostly) only she sees.

Discussing her photography she says that even the making of the photographs can be an intrusion on the experience of being there and that "Without the camera, I loved being outside. It didn't matter that the light be 'just right', or the day dramatic. Only with the camera was there a certain expectation. I spent more time looking than appreciating, more time searching than seeing."  I know the feeling. Probably the most important 'trick' or technique a photographer can learn is to see through the camera as if it weren't there. To reach the point when the camera is merely a note taking tool, a means of saving a moment in time and space. That is the real craft of photography at its finest and Alex de Steiguer has mastered it in this fine collection of images.

The book is available through http://www.alexdesteiguer.com/portfolio/pages/her+new+book. Her website URL is http://alexdesteiguer.com/

The usual disclaimer: I do not know Alex de Steiguer. I requested and received her permission to use the photo above in this review which I chose to write wholly of my own accord after purchasing the book. The photograph is the property of Alex de Steiguer and the review is copyrighted by me. She may use it if and as she wishes, all others are prohibited from reposting without permission.

Shameless Commercialism

But it isn't for me, it is for our Arts Council. They have created a 2014 calendar featuring the work of several member artists (including moi but I don't get money from it) in order to raise money and/or new members. You can get one by joining for $50 or you can just buy the calendar at this link. Please mention that you were referred by me.

The Moon Again

Last night as I was going out to take in the bird feeders* in I spotted this scene and dashed back to get my camera. It was shot with the Canon SX 50 handheld 1/15th sec. Judging by the tree at the right I'd say the image stabilization worked pretty well. I love the colors of the sunset afterglow.

*We take in the bird feeders at night because the raccoons get into them if we leave them out.

Moonshine

Not the drinking kind of moonshine but it has an intoxicating effect on some poets anyway. I shot this photo during an evening shoot of some daylilies. When the sun went down too far for more handheld photos of flowers I looked up and noticed the moon. I learned some years ago that the trick to photographing the moon so that you can see the 'face' is to shoot it at the same exposure as you would for full sun* because the moon, which is your main subject, is in full sun. Of course if you wait until it is too dark that means everything else is underexposed and black. That brings up the second trick which is to shoot the moon at twilight while there is still enough light and color in the sky and of course a few clouds help too.

*Exposure for full sun is f/16 at whatever your ISO is for the shutter speed. I.E. ISO 100 full sun exposure is f/16 @ 1/100th sec. Some photographers like to open up one stop to f/11 but too much exposure will wash out the detail and you'll just get a white disk. Try both to see how it works for your camera.

Wild about Wildflowers

I wandered out into my back field this evening to look for wild flowers. The first that I encountered was this Queen Ann's Lace. I shot a couple of frames before this but I particularly liked the way the cluster of blossoms seemed to flow downward when seen from this angle. It is very suggestive of lace on the front of a lady's dress.

Canon 7D on a tripod with an EFs 18-135mm and and extension tube. Processed to B&W in NIK SE2 and duotoned in Photoshop CC.

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Twenty Years Later

Yesterday I climbed Whiteface Mt in the Adirondacks with a small group of friends. The trip was in celebration of the 20th anniversary of my completion of the 46 High Peaks. I had finished on Whiteface on a chilly damp day in 1993 but yesterday was quite the opposite, very hot, high 80s to 90° F and very humid. Once we reached the top it was pleasant enough with a strong breeze to cool us but the trip back down was even hotter and more humid than the climb. I took 4 liters of water and drank it all by the time we got back down.

I took the Canon G11 and a polarizing filter that attaches with some adapter tubes. I wanted to keep my pack as light as possible considering the heat and climbing about 3100 feet in 4 miles. We took our time, averaging a bit less than 1 mph. The view above is from near the Weather Station looking South. The photo below was made from the promontory in this view looking North.

I'm planning to do the trip again for the 25th anniversary although I may hitch a ride back down on that trip, or not. Who knows? If I can stay in shape to climb I should be able to walk back down too.

Below are the celebrants: Dave Allen 46er (finished two years ago), Rick Reed 46er (finished five years ago), Yours Truly and Ron Reed, Rick's twin brother and aspiring 46er. With a bit of luck and good health we should all be 46ers when we do the 25th anniversary climb.

Climbing Mountains

I'm going to repeat my final 46er climb up Whiteface on Wednesday, the 20th anniversary of my completing the 46. I've been walking several miles/day in preparation but the hills around here, while steep for this area, are no comparison to climbing a mountain so I decided to climb Azure today because, for a "little" mountain it is a stiff climb. It was miserably hot and humid. By the time I reached the summit the front of my shirt was totally sweated out. I looked like someone had hit me with a garden hose. There was a decent breeze on top though and I got cooled down after a bit of time taking photos on the summit.

The photo is of a glacial erratic that sits on a ledge overlooking a steep drop off into a valley with several ponds. I decided to process it as a B&W in NIK Silver Efex 2 and then I toned it in Photoshop using the Duotone mode before converting it back to RGB. The only file format that recognizes Duotone is PSD and that's no good for emailing or posting to the web. I've been leaning toward B&W for some time now, a return to my roots I guess, and it worked well for this image.

There are a few more color images below. All were made using a Canon 7D with an 18-135 EFs lens. All are copyrighted. Please do not repost without permission.

Thoughts on Aging and Attitude

The photo is from four years and almost nine months ago. I made it on the way to join my friend Rick Reed who was completing his climbs of the 46 Adirondack High Peaks on Whiteface that day. It was my pleasure (and honor) to present him with a 46er pin when he reached the summit (see http://www.adk46r.org/ for an explanation of 46ers). I post it today because it is the same peak on which I finished climbing the 46 in 1993 and I will be repeating the climb as a 20th anniversary hike on the 17th, a little less than two weeks from today.

In the process of preparing to do this I have on occasion suffered a bit of self doubt, thoughts about being 20 years older, can I still do this, etc. Upon expressing them I have heard some of them echoed by others. On the other hand, inside my head I hear my eldest brother Bruce who was known for saying "there's no such thing as can't", On my daily walk this evening, which is longer than the distance up Whiteface, albeit not as steep, I pondered the business of age and concluded that there are three aspects to aging.

The first is chronological, the calendar, and you can't do anything about it nor in a larger sense does it matter. Time supposedly passes, that's how we experience things, but realistically all there is is NOW. The second aspect is physical. Our bodies do wear out with the passage of time but we have considerable control over how and how quickly they wear out. Abuse your body in any of a number of ways and it will wear out more sooner. Eat right, exercise (motion is good for you), generally take care of it and it will last longer. The third aspect is mind/attitude, the thing my brother was talking about. We have (almost) total control over that. I threw in the 'almost' because some of us will suffer from things like Alzheimer's. For most of us though, we choose our attitude when we wake up in the morning and with each encounter throughout the day. We can stay interested in life and the world, we can stay positive or  not. It is our choice. I've known people who were young in mind well into old age while others were mentally old at 40. Research has shown that learning new skills (learn to dance, learn to play a musical instrument, learn a new language) keeps our minds young.

Our attitude is key for keeping our bodies in shape but I think there is a part of our brain that is like Hal in Space Odyssey 2001. It has a 'prime directive' to preserve our body which it interprets as seeking ease and comfort above all  else. Unfortunately, that is not always what is best for our physical well being. The Hal part of my brain tells me it's too hot to go for a walk and I have to shut 'Hal' off, listen to Bruce's voice instead and go anyway. So my thought for the day is ignore the calendar and adopt an attitude of caring for yourself and the world, and a attitude of "I CAN". See you on the mountaintop.